Synopsis: 

 I’ve Seen That Face Before” describes the thoughts, feelings and sensations that arise for the performer in the moment between the last seconds of the performance and the first bow. The extreme contrast between the physical exertion offered in the show and the humble acceptance of applause and admiration that follows. An attempt to process an entire spectrum of emotion in the blink of an eye. Is there actually space for this, or are the bows a performance in themselves? Does the performer have the opportunity to disconnect from the performance, or is the very act of being observed prolongation of the act?  

Concept: 

“I Have Seen That Face Before” is my exploration of the inner space of a performer. Of the continuous and elusive tension of an act that is ceasing, or that perhaps within it, contains a new beginning. It is my desire to analyse, deepen and stage, together with the dancers, the sensations that agitate their bodies in those few moments. A whole spectrum of emotions, a moment of pure and maximum sharing as well as of the most extreme intimacy. The contrast between the physical effort offered in the performance and the humble acceptance of the applause and admiration that comes with it. How can it be elaborated? What is triggered in a dancing body? And what repercussions does this have on the spectator?